I also interested in REBECCA that’s why I have chosen the following part of the novel to the stylistic analysis:
I drummed with my fingers on the table, uncertain of myself and of him. Was he still laughing at me, was it all a joke? He looked up, and saw the anxiety on my face. 'I'm being rather a brute to you, aren't I?' he said; 'this isn't your idea of a proposal. We ought to be in a conservatory, you in a white frock with a rose in your hand, and a violin playing a waltz in the distance. And I should make violent love to you behind a palm tree. You would feel then you were getting your money's worth. Poor darling, what a shame. Never mind, I'll take you to Venice for our honeymoon and we'll hold hands in the gondola. But we won't stay too long, because I want to show you Manderley.'
He wanted to show me Manderley.... And suddenly I realized that it would all happen; I would be his wife, we would walk in the garden together, we would stroll down that path in the valley to the shingle beach. I knew how I would stand on the steps after breakfast, looking at the day, throwing crumbs to the birds, and later wander out in a shady hat with long scissors in my hand, and cut flowers for the house. I knew now why I had bought that picture post-card as a child; it was a premonition, a blank step into the future.
He wanted to show me Manderley.... My mind ran riot then, figures came before me and picture after picture – and all the while he ate his tangerine, giving me a piece now and then, and watching me. We would be in a crowd of people, and he would say, 'I don't think you have met my wife.' Mrs de Winter. I would be Mrs de Winter. I considered my name, and the signature on cheques, to tradesmen, and in letters asking people to dinner. I heard myself talking on the telephone 'Why not come down to Manderley next week-end?' People, always a throng of people. 'Oh, but she's simply charming, you must meet her – This about me, a whisper on the fringe of a crowd, and I would turn away, pretending I had not heard.
Going down to the lodge with a basket on my arm, grapes and peaches for the old lady who was sick. Her hands stretched out to me, 'The Lord bless you, Madam, for being so good,' and my saying 'Just send up to the house for anything you want.' Mrs de Winter. I would be Mrs de Winter. I saw the polished table in the dining-room, and the long candles. Maxim sitting at the end. A party
- Вышивка гладью
- Взрослая игра с детьми: маргинальность в романах Любка Дереша "Архе" и "Странные дни Гане Грач"
- Креативность как составная часть личности
- Воспитательное мероприятие Т.Г.Шевченко и Родина - частица сердца каждого патриота-украинский
- Формы и методы работы с детьми и молодежью в "Пласте"
- Системы заданий по формированию понятия о части величины и дробь
- Искусство рассказа Чарльза Диккенса в его романах
- Фантастика и реальность в романе "Путешествия Гулливера" как составной части творчества Джонатана Свифта
- Флора и растительности на территории Полесской части Ровенской области
- Социальная работа с молодежью